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// DANA AWARDS ///
ANNUALLY SINCE 1996

A NOTE OF ENCOURAGEMENT TO
FUTURE ENTRANTS:
THE NEW YORK TIMES BOOK REVIEW
named as one of the 10 Best Books of the Year in Non-Fiction
in 2006 our 2001 winner of the Dana Award in the Novel. To
explain: Danielle Trussoni's novel, originally entitled Tunnel
Rat, won our 2001 Novel Award, was then re-worked as a memoir of
her relationship with her father, a Viet Nam vet, and was
published in 2006 as FALLING THROUGH THE EARTH--which was then
named by the New York Times Book Review as one of the 10 Best
Books of 2006 in Nonfiction.
NEW AWARD:
Dana Award in the Essay (See our
guidelines)
We offer four
$1,000 awards annually in the Novel, Short Fiction, Essay, and
Poetry.
We began our
awards in 1996.
The $3,000
PORTFOLIO AWARD, offered from 2003-2007, HAS BEEN SUSPENDED UNTIL
FURTHER NOTICE. OTHER SOURCES WHICH MAY LIST THE
PORTFOLIO AWARD ARE NOT CORRECT.
For GUIDELINES and
more information about us, click on our LINKS ON THE LEFT BORDER
OF THIS PAGE.
WE DO NOT
PROMISE PUBLICATION (see below). THE PURPOSE OF THE DANA
AWARDS IS MONETARY ENCOURAGEMENT FOR WORK THAT HAS NOT YET BEEN
RECOGNIZED.
SO
ALL WORK SHOULD BE UNAWARDED (honorable mention and finalist
recognition okay, but no monetary awards), unpublished in print or
online (except copies for family and friends) and not under
promise of award or publication AT THE TIME IT'S SUBMITTED TO US.
SIMULTANEOUS
SUBMISSION IS FINE WITH US. Because we can’t promise
publication, once you submit to us you may then market that work
simultaneously to other competitions, journals, and publishers
during the time we are considering it and still be eligible for
Dana Awards.
WHAT
WE'RE LOOKING FOR
Whether
fiction or poetry, it must be work that is original yet not merely
sensational for the sake of sensation. It must contain clear,
well-developed themes and be written in a style that exhibits love
of language and mastery of craft.
If fiction, whether literary/mainstream or genre fiction, the
characters must be fully drawn, not stereotypes, and must be
engaged in conflicts (either internal or external) that are
compelling and show forward momentum.
In both poetry and fiction, if it's a universal story (love,
death, loss, coming of age, moral responsiveness or failure to
respond), it must be told in a fresh way.
And poetry, whether formal or free-verse, must exhibit rhythm and
"music" in its use of language, syntax, line breaks, and
structure. A group of words carelessly slung lengthwise down a
page is not a free-verse poem; it's a group of words that needs to
be made into a poem.
Furthermore,
a group of words that ‘plays’ with language without attempting
meaning or message is not a poem, it’s an exercise.
HOW WE STARTED
As
a writer who entered competitions myself, I was often mystified
when I read winners' work--often I disagreed with the
judges' choices.
Then
I realized that as first reader for my own competition, I could
steer toward reward what I deemed good work.
I
also knew that by starting my own competition and casting my
editor's net into the wide pool of work out there, I could see how
my own writing measured up to other hopefuls'.
I've learned a heartening but frightening thing in managing the
Dana Awards: that there are thousands of excellent writers out
there.
Which
is heartening for the sake of literature, but frightening because
of the sheer numbers of good writers looking for recognition--so
much competition for each one of us, and so many people who
deserve notice but aren't getting it.
Writing is a profession for talented, imaginative, sensitive Gila
monsters (I say this because good writers don't give up, and
legend claims that when a Gila monster clamps its jaws on
something it won't let go.)
PUBLICATION
IS NOT PART OF OUR CONTRACT.
DANA
AWARDS WINNERS FOR 2000 (ONLY) DID HAVE A PUBLISHING SHOWCASE, AT
UNIVERSITY OF MISSOURI-COLUMBIA. CENTER: A Journal of the
Literary Arts, from University of Missouri-Columbia (the same
creative writing program that produced the award-winning MISSOURI
REVIEW edited
by Speer Morgan) in Spring 2002 released Volume 1, Issue 2 of
CENTER, highlighting the Dana Awards on the cover and on their Web
site and including a 60-page
center section showcasing in its entirety the winning work of our
YEAR 2000 AWARD RECIPIENTS. (A typo on the issue’s cover
says 2001 awards, but those weren’t even decided until after the
issue went to press.) But
because of editorial board/policy changes and their decision to
focus on their students' work, CENTER Magazine can no longer
publish Dana Awards winners.
We
affiliated with CENTER as our publisher that year as a
courtesy to our winners, not as a part of a promised contract.
We promise only monetary awards each year.
This
courtesy arrangement will also be true if/when we find
another journal to publish any future winners.
Our
contract with our winners ends with us paying them the monetary
Dana Awards. Any
publication or further payment is between the winners and
the literary journal.
Also,
it is our winners’ choice, not a requirement, to publish with
any journal with which we form an affiliation.
Furthermore,
since our contract with winning authors ends when we pay them
their award money, we can not be held responsible if a journal
promises and then fails to publish.
FOR QUESTIONS
ONLY,
E-MAIL
AT THIS ADDRESS danaawards@pipeline.com
or
E-MAIL
AT THIS ADDRESS danaawards@gmail.com
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